TonyS wrote:
Hard Rocker wrote:It's as plain as the nose on your face. As mentioned, you'd need to be deaf not to hear it.
On a similar note (pun fully intended), McCartney admitted "Here’s one example of a bit I pinched from someone: I used the bass riff from 'Talkin' About You' by Chuck Berry in 'I Saw Her Standing There'. I played exactly the same notes as he did and it fitted our number perfectly."
"Exactly the same notes." "Pinched."
Macca wrote: I played exactly the same notes as he did and it fitted our number perfectly. Even now, when I tell people about it, I find few of them believe me. Therefore I maintain that a bass riff doesn’t have to be original.
TonyS wrote:Hard Rocker wrote:It's as plain as the nose on your face. As mentioned, you'd need to be deaf not to hear it.
On a similar note (pun fully intended), McCartney admitted "Here’s one example of a bit I pinched from someone: I used the bass riff from 'Talkin' About You' by Chuck Berry in 'I Saw Her Standing There'. I played exactly the same notes as he did and it fitted our number perfectly."
"Exactly the same notes." "Pinched."Macca wrote: I played exactly the same notes as he did and it fitted our number perfectly. Even now, when I tell people about it, I find few of them believe me. Therefore I maintain that a bass riff doesn’t have to be original.
(Paul McCartney, Many Years From Now, Barry Miles)
It's no big deal to me, but to some Beatles fans it hurts to admit that their heroes did just what others do.
For the record, I'm a Beatles fan and 'Seventeen' is one of my faves.
Mojo Filter wrote:....I'm not trying to have an argument with anyone or being a smart ass because that's not my intention. I'm just speaking from what I know or learnt.
Mojo Filter wrote:Being a guitar player myself I know that "I Saw Her Standing There" and "I'm talking about you" have no similarities because one is in the key of E and the other is in C so therefore McCartney can not be playing the exact same notes. Why he's said that is a bit weird.
PS: I'm not trying to have an argument with anyone or being a smart ass because that's not my intention. I'm just speaking from what I know or learnt.
STEVE MORSE wrote:Mojo Filter wrote:Being a guitar player myself I know that "I Saw Her Standing There" and "I'm talking about you" have no similarities because one is in the key of E and the other is in C so therefore McCartney can not be playing the exact same notes. Why he's said that is a bit weird.
PS: I'm not trying to have an argument with anyone or being a smart ass because that's not my intention. I'm just speaking from what I know or learnt.
Surely the key is irrelevant if the rhythm and melody are the same. I play piano.
I don't know "I'm talking about you", by the way.
STEVE MORSE wrote:Mojo Filter wrote:Being a guitar player myself I know that "I Saw Her Standing There" and "I'm talking about you" have no similarities because one is in the key of E and the other is in C so therefore McCartney can not be playing the exact same notes. Why he's said that is a bit weird.
PS: I'm not trying to have an argument with anyone or being a smart ass because that's not my intention. I'm just speaking from what I know or learnt.
Surely the key is irrelevant if the rhythm and melody are the same. I play piano.
TonyS wrote:Mojo Filter wrote:....I'm not trying to have an argument with anyone or being a smart ass because that's not my intention. I'm just speaking from what I know or learnt.
I can go with that, me neither.
What if you change the key, would they be the same notes?
The reason I ask, is again I can hear a similarity.
John wrote:
I've brought I Saw Her Standing There down to C while keeping the same tempo as the original.
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