John wrote:javilu wrote:Mister Moon wrote:John wrote:Mister Moon wrote:Amazing item, apparently unheard until now. The song was written for Helen Shapiro (notice different lyrics here), but in the end it was used by The Beatles themselves for their debut album, and it was covered by Kenny Lynch at roughly the same time - the first ever Beatles cover :
https://www.youtube.com/watch?v=3zHSdKKMOJcMisery (Demo Acetate Cavern Club Rehearsal Recently Found.mp3
Amazing. There's always hope these things will turn up.
Great stuff indeed. I would like to have an official release filled with this kind of obscure material. I loved the first volume of the "Anthology" albums, with that selection of amateur recordings, alternate takes, and live tracks. But that was just the tip of the iceberg.
Also, the Star-Club material from December 1962 should get an official release once and for all, but I doubt it will ever happen. I can't imagine those fancy engineers wrestling with those raw rock and roll recordings. Oh well.
There's the new Beatle project to be released before the end of the year which will include the finished track that was to appear on "Anthology 3" but vetoed by Harrison -we assume it to be Now and Then-.
Yes, Macca spoke about it on the news here. They're using AI to do it apparently.
https://www.theguardian.com/music/2023/ ... e-using-ai
I believe they are taking things too far this time. "Free As A Bird" and "Real Love" were ok as a bonus within the "Anthology" project, which was outstanding all by itself.
But we are now in 2023. Lennon has been dead for over 40 years (more time than he was alive), and Harrison has been dead for over 20 years. The Beatles broke up over half a century ago. So, I don't believe this rehashing of a long forgotten Lennon home recording makes any sense at all right now. Of course, it will be a huge seller, and McCartney will appear everywhere talking about it. He is a bit a male Priscilla Beaulieu when he gets in this mode, man.
Personally, I will wait for the deluxe editions of the first three albums, which will probably happen within the next few years. I know asking for the Star-Club material in legitimate format is a bit too much, but it shouldn't, really. It would make more sense than tampering with a damn home demo, the way I see it.
Other mind-blowing projects could be box-sets of combined audio and video of the landmark 1964 Washington and 1965 New York concerts. I would happily buy that.